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                <text>An 1850s-era debutante ball</text>
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                <text>http://www.katetattersall.com/wp-content/uploads/2012/03/ballroom2.jpg</text>
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                <text>Kate Tattersall Adventures website</text>
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                <text>Edith Wharton, 1905</text>
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                <text>www.edithwharton.org</text>
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                <text>Jean Lee Cole</text>
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                <text>Edith Wharton at The Mount, her Lenox, MA estate. 1905.</text>
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                <text>Photograph of George Boldt, New York hotelier, likely the model for Stephen Millhauser's character Martin Dressler.</text>
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                <text>https://upload.wikimedia.org/wikipedia/commons/thumb/5/55/George_Charles_Boldt%2C_Sr._%281851-1916%29_portrait.jpg/220px-George_Charles_Boldt%2C_Sr._%281851-1916%29_portrait.jpg</text>
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                <text>Jean Lee Cole</text>
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                <text>Wikimedia Commons</text>
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                  <text>1920s</text>
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                <text>Meet the Mamma: A Musical Play in Three Acts</text>
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                <text>This is the cover to an experimental musical that Zora Neale Hurston wrote in 1925, early in her career. It was interesting to see another play written to by Hurston. Unlike Hurston's play in Fire!!, this musical takes place in New York City. To see what this play looked like would have also been interesting. Hurston was obviously inspired by her time in New York City. I would imagine that the music in the musical would jazz inspired and probably would have  included some of the famous jazz musicians from the Harlem Renaissance.  </text>
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                <text>Hurston, Zora Neale. "Meet the Mamma: A Musical Play in Three Acts." 1925. Library of Congress. Web. &#13;
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                <text>Gabriella Green</text>
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                <text>Harlem Renaissance Writers</text>
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                <text>Panel No. 1, The Migration Series</text>
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                <text>The Great Migration</text>
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                <text>The illustration depicts the many African Americans that were fleeing the south for better opportunity in the North. In the painting you see 3 major cities: New York, Chicago, and St. Louis. These as well as cities like Detroit and LA experience a similar immigration from the south. </text>
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                <text>Jacob Lawrence </text>
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                <text>http://www.phillipscollection.org/sites/default/files/styles/lightbox_image/public/media/TPC_Panel1_900_0.jpg?itok=7ipOC-AH&#13;
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                <text>The Philips Collection</text>
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                <text>12/15/15</text>
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                <text>Alexander Vidal</text>
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                  <text>1890s</text>
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                  <text>Sources and resources pertaining to the 1890s and literary works concerning this period.</text>
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                <text>Ad Encouraging Women</text>
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                <text>I found this article while I was looking for sources for my Collections Project and I thought it provided the perfected summary of how women's roles changed in society based on their realization of how their health was being compromised.  This article discusses how they escape the clothing that kept them fro being healthy involved women to wearing looser petticoats and playing significant roles in society.  The future women in this article are praised because they offer educated, and responsible Christian view on different aspects of society, which is why this article makes it seem they are more competent than men. "The woman of the future will have a strong mind and a sound body, and she will be ready to do cheerfully and readily whatever may be asked of her,"  which is ironic because the women are suppose to be free of duties to other people, but they still were expected to do whatever people told them to do.  </text>
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                <text>Unknown</text>
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                <text>Physical Training. Maine Farmer, 19 Dec. 1889: 58. Print.&#13;
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                <text>American Periodicals </text>
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                <text>Depicted here is a picture of Zora Neale Hurston in her hometown of Eatonville, Florida. Many of her short stories and novels were said to be based off of Eatonville. Eatonville is a majority African American community, supplying Hurston a plethora of information and diversity in characters to work with.  The story "Sweat" in Fire!!  is a story that is based in the south and Eatonville probably had some influence on the characters in "Sweat" </text>
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                <text>Lomax, Alan. Zora Neale Hurston. 1935. New York Times. Web. 15 Dec. 2015. &lt;http://www.nytimes.com/ &#13;
     2008/09/29/us/29florida.html?_r=0&gt;.</text>
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                <text>Published in Harper's Weekly in 1865, this image depicts the laziness of the New York Health Department. There were many diseases prevalent in New York at the time devastating immigrants and native New Yorker's alike. As you can see, there were Irish immigrants going on strike and ongoing negotiations with street cleaners but the Department of Health doesn't seem too concerned about it. They look old, disinterested, and sleepy. &#13;
&#13;
I could not find the original Harper's Weekly with this cartoon so I'll simply attribute the work to where I found it. </text>
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                <text>McDonnelll, Tim. "5 New York Epidemics That Were Way Worse than Ebola Will Be." Mother Jones. N.p., 24 Oct. 2014. Web. 15 Dec. 2015. http://www.motherjones.com/wp-content/uploads/board-630.jpg</text>
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                <text>Martin Dressler was an ambitious young man but was he too ambitious. Was Martin Dressler a good businessman or was his head in the clouds.&#13;
One of largest and most prominent hotels in NYC during the gilded age was the Waldorf-Astoria.&#13;
&#13;
This hotel was a very impressive building for the time and Dressler wanted to make his hotel over twice as impressive. The Waldorf was a 13 stories high with various amenities. Dressler wanted his hotel the Grand Cosmo to be 30 stories with all sorts of gardens and restaurants. In relation to the Waldorf, this is a mammoth task. This demonstrates how Martin was unrealistic in his expectations. To be able to beat out the finest and biggest hotels is a  huge task and Martin was unrealistic in the way that he would do that. &#13;
&#13;
&#13;
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                <text>"The open mouth of a saloon called seductively to passengers to enter and annihilate sorrow or create rage" (Crane, 39).&#13;
&#13;
This photo almost directly correlates with this image because it shows how the poor of the 1890s were controlled by saloons due to alcoholism and it being one of the only things the poor did as amusement. Crane describes how this saloon "seductively" called out to the passengers giving the reader the idea that the saloon acted as a living, important thing in the lives of the poor. It is also interesting to note that it looks as if everyone is annihilating "sorrow" or creating "rage". &#13;
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                <text>Riis, Jacob. A downtown "morgue" (an unlicensed saloon). "How the other Half Lives." 1890.Photograph.</text>
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                <text>This is a short sample of Zora Neale Hurston's analysis and research  on African American, language and culture. Much of the analysis that she made was based off of her research on African American folklore and travelling the south. In the this particular sample, Hurston gives examples of how metaphors and verbs in Ebonics. Later in this section, Hurston gives the important aspects of folklore like God and the Devil. These analysis can be applied to Hurston's short story in Fire!! where uses many of the examples she provided in her research.</text>
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                <text>Hurston, Zora Neale. "Background to Story: Characteristics of Negro Expression." "Sweat." Ed. Thomas L. Erskine and Connie L. Richards. New Brunswick: Rutgers University Press, 1997. 55-72. Print.</text>
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                <text>On the cover of this issue of The Jewish Immigrant is depicting Lady Liberty standing in front of the Gates to the United States. She is wearing a cap that has the word “America” written on it in Yiddish. This picture is representative of the mass amounts of Jewish immigrants that came to the United States during the 1890’s through the 1920’s to escape persecution. Lady Liberty is representative of freedom for these Jewish Immigrants. She is also holding a key in her hand which represents that the United States is the key for most of the immigrants seeking freedom and a new life. Below each side of the gate there are two passages in Hebrew. One reads Open the gates of righteousness for me" and the other reads "Open the gates and let a righteous nation enter.” This symbolizes that The United States was the new land for European Jews during this time and that mass amounts of Jewish immigrants thought the same. &#13;
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                <text>The Jewish Immigrant. Vol. 2, no. 1. (January 1909). New York: Hebrew Immigrant Aid Society, 1909 Hebraic Section, Library of Congress (54)</text>
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&#13;
I believe that this image that Jacob Riis took directly correlates with this quote because it shows how the slums had a chaotic and out in the open look to it. During the time, the poor were forced to live in over-packed tenements that were huddled together extremely close to each other on the street. Due to this, the poor held little to no privacy during personal affairs allowing for the rest of the people on that street to watch people struggle in amusement. This quote and picture also give off the vibe that because the slums were so overpopulated that the noises were unending and that there was always something dark happening around the corner. Crane uses the words "babies" a lot in this quote to show the reader that this happened to any and all ages because the environment treats all the same.  &#13;
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                <text>Towards the end of the 1890s, building techniques were evolving which finally allowed for skyscrapers to form throughout the New York City skyline. One of the first was the Flatiron Building which when built was the tallest building at 22 stories. One of the major innovations with the building was the use of steel in the building’s construction. This not only allowed the building to grow higher, but it helped to make it more fire resistant that typical buildings of the day. With the new building process, the Flatiron Building was built much faster than typical buildings of the day. Although its design and location are a bit unusual, the building is still a major tourist attraction to this day.</text>
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            <name>Title</name>
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                <text>Wistaria </text>
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                <text>The reason "Wistaria is often times used at weddings and as a symbol of marriage is because of the meaning of the word. Like the wistaria clings to buildings, the married couple clings to each other. However, Mrs. Mantsey lost her husband and has no one to cling to. Mrs. Mantsey was married but her husband died seventeen years before the story took place. Knowing this, the sentence, "Soon the wistaria would bloom, then the horse-chestnut; but not for her" is pretty sad. The use of this flower and the previous sentence makes Mrs. Mantsey a much more tragic character. Once a married women,  she now sits alone with no real purpose or someone to care for. Maybe the Wistaria once did bloom for her, but no longer. </text>
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                <text>Clare Gibson </text>
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                <text>http://mrssymbols.blogspot.com/2011/04/wistful-wisteria.html</text>
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                <text>Tim Bontempi </text>
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        <src>https://loyolanotredamelib.org/en203/files/original/341b154cac42bdaedcb9d8d2c5068626.jpg</src>
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                  <text>1920s</text>
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                  <text>Sources and resources pertaining to the 1920s and literary works concerning this period.</text>
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                <text>The New Negro</text>
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                <text>The Harlem Renaissance </text>
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                <text>Harlem Renaissance what was painted by a man named Aaron Douglas. The name of the piece was created for the book The New Negro by Alain Locke. The art work is meant to depict different parts of Afro-American history. You see on the left people picking cotton in a field and as the painting moves right, it changes to what seem to be the Harlem Renaissance, which is characterized by the sillottes of jazz players and dancing people. The New Negro as we learned was a way of describing the new culture that was rising, one that did not stand for the Jim Crow laws of the south or of segregation. </text>
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                <text>Aaron Douglas</text>
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                <text>"Treasures of The New York Public Library." Treasures of The New York Public Library. Web. 15 Dec. 2015.&#13;
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                <text>New York Library </text>
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                <text>Alexander Vidal</text>
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                <text>Alexander Vidal</text>
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