3 20 160 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Hyperlink A link, or reference, to another resource on the Internet. URL http://ebooks.library.cornell.edu/cgi/t/text/pageviewer-idx?c=cent&cc=cent&xc=1&idno=cent0053-5&g=moagrp&q1=Metropolitan+Museum+of+Art&node=cent0053-5%3A13&view=image&seq=777&size=100 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Philanthropy Description An account of the resource This source by George Iles from the March issue of The Century, George looks at the large gifts of the philanthropists and other business men of the time. The article opens by acknowledging that massive fortunes have been amassed by American businessmen at the end of the century. However it goes on to almost defend it by saying that it is the result of exploiting the nation's previously untapped natural resources and centralizing tendencies in business that naturally lead to the situation. Then it goes on to say that power necessitates responsibility and that wealth is power so that a responsibility is now placed on these businessmen. George asserts that the reason for the gifts of businessmen is out of a sense of generosity and justice, resulting from the realization that the whole community is in part responsible for their wealth. Finally the heart of the article goes on to describe various gifts and their results on the community, almost all of them educational in nature, before giving its own suggestions on philanthropy. Creator An entity primarily responsible for making the resource George Iles Source A related resource from which the described resource is derived Iles, George. "The Art of Large Giving." <i>Century</i> Mar. 1897: 767-79. <i>Making of America</i>. Web. 14 Dec. 2015. Publisher An entity responsible for making the resource available The Century Contributor An entity responsible for making contributions to the resource Dalton Spatz philanthropy https://loyolanotredamelib.org/en203/files/original/e9b6fedac199faa0837987174ea72c9c.jpg 4154ce37bb0df13fc558687e613ef954 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Labor Strike in 1920's Description An account of the resource This image demonstrates a labor strike. The workers are upset with their low wages and poor working conditions. This image was taken during the Great Depression but it is described in the article that minority workers found little difference between times during the Great Depression and the 1920’s, when the economy was “normal”. This was due to racial discrimination. African Americans would often be the first to lose their job just because of their skin color. African Americans were also subjected to jobs that were meaningless, tedious, and sometimes of intense labor. The wages that they received for the work they did was also minimal and very difficult to live off of. Langston Hughes shows the tedious and thoughtless labor that African Americans were subjected to in his poem "Elevator Boy". Creator An entity primarily responsible for making the resource Gale Source A related resource from which the described resource is derived "Minority Groups and the Great Depression." Great Depression and the New Deal Reference Library. Ed. Allison McNeill, Richard C. Hanes, and Sharon M. Hanes. Vol. 1: Almanac. Detroit: UXL, 2003. 172-186. U.S. History in Context. Web. 14 Dec. 2015. Publisher An entity responsible for making the resource available http://ic.galegroup.com/ic/uhic/ReferenceDetailsPage/DocumentToolsPortletWindow?displayGroupName=Reference&p=UHIC%3AWHIC&action=2&catId=&documentId=GALE%7CCX3425600021&source=Bookmark&u=oldt1017&jsid=d7f0eb9a9ce8607bd96dc799dea9b5bf Date A point or period of time associated with an event in the lifecycle of the resource December 14, 2015 Contributor An entity responsible for making contributions to the resource Laura Watters Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1920 1920s Hughes Labor https://loyolanotredamelib.org/en203/files/original/9af5e5be272443249846ba102f036b63.jpg 6510989ff597b7bb91fe1315df2b7582 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Next Year in America Description An account of the resource This lithograph “A Happy New Year” was created between 1900 and 1920 and published by the Hebrew Publishing Company. It depicts on one side Russian Jews looking over the Atlantic ocean at Americans in the United States. You can tell by the descriptive coat of arms above each group. The American coat of arms is also holding a banner writing “Shelter me in the shadow of your wings.” This shows that the Russian Jews were looking to the United States for shelter as the immigrated away from their homeland. The Russian Jews are all wearing traditional clothing. Also all of the women have their head covered while the men all have facial hair. The American group is dressed all in contemporary clothing and they all look very modern for the early 1900’s. This is a very good comparison between to different lifestyle, one being the modern American and the other being the traditional Jew. The American group is what Jake in Yekl sought after and wanted to become. While the Russian Jewish side is what Gitl and the rest of his family were. With accurately shows what the differences were between the two different cultures. Source A related resource from which the described resource is derived "Next Year in America I" A Century of Immigration, 1820-1924. Library of Congress, n.d. Web. 10 Dec. 2015.http://www.loc.gov/exhibits/haventohome/haven-century.html#obj5 Publisher An entity responsible for making the resource available Hebrew Publishing Company Contributor An entity responsible for making contributions to the resource Ed Regler Creator An entity primarily responsible for making the resource Unknown https://loyolanotredamelib.org/en203/files/original/42f824a23f8f2059efe3601952927138.jpg 951ba479d99047c374759e411626106e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1850s Subject The topic of the resource Sources and resources pertaining to the 1850s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wall Street, around 1872 Description An account of the resource What's funny about this post is the fact that this picture would not be relevant to the thought of Wall Street. Considering that in today's Wall Street a picture of it would not include a sky because of New York's architectural advances. It's also interesting to see the authors from the this courses material, exclude the contribution of high rises because they did not have any. What I mean to say is I wonder how different the writings of writers such as Lydia Maria or Whitman, would be living in a New York With High rises. Creator An entity primarily responsible for making the resource The New York Public Library Source A related resource from which the described resource is derived "Detailed Timeline." National Womens History Project. Web. 11 Dec. 2015. Publisher An entity responsible for making the resource available Business Insider Date A point or period of time associated with an event in the lifecycle of the resource September 20, 2015 Contributor An entity responsible for making contributions to the resource Carlos Moradel buildings Melville Wall Street https://loyolanotredamelib.org/en203/files/original/b89f0e0d7d316f00151666b9d88b5d3d.jpg 0d7e0d7d8b4a8d4768697c4201619695 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Broadway Contrasts. George Beban and Holbrook Blinn. Description An account of the resource Below is a image that is titled "Broadway Contrasts. George Beban and Holbrook Blinn." and it features two men back-to-back who were famous actors at the time. The man on the right is Holbrook Blinn who looks more business dressed with a rounded hat and a suit, while George Beban is creepier looking man wearing a trench coat with a pointier hat. After researching these men, I discovered both of them were from San Francisco and both became Broadway actors, and they both died from horse accidents but this image depicts them in two very different ways. I had three different interpretations of this image, but was not sure which one seemed most accurate. The first being, I think this can reflect the reaction to the influx on immigrants during the Gilded Age. There were so many immigrants coming into the city jobs were becoming more competitive as there were many cultures to choose from whites males had to work harder to maintain a respected job. The second interpretation I had for this illustration, was the two different types of men of Broadway and it made me think of Crane's novel "Maggie: A Girl of the Streets." I feel like the man on the right (Holbrook Blinn) is what Pete would look like, and this would be a man that looked and was wealthy, but would get caught up in prostitution. On the other hand, George Beban looks more like the men described towards the end of the novel, who were creepily questioning Maggie. This leads to the third interpretation, which is also describing the differences in men. Even though both the men at the time were successfully involved with Broadway, there were differences between their careers. Holbrook Blinn (man on the right) looks more like a man that would flaunt his successes and wealth for all those to see because he had no trouble growing up a stage child. On the other hand, George Beban, would have been a man that had much success, but disregarded the need to flaunt. The way he is looking at Blinn it looks like men similar to Beban could have been annoyed with those who obnoxiously displayed for wealth. This whole third interpretation also pertaining to Crane's book as it could be a contrast between Jimmie and Pete. Also Beban faced a lot of trouble with his father accepting is stage career, therefore he had to work for it more. Overall, I think this illustration could have many interpretations and that is why they left it so broad. Creator An entity primarily responsible for making the resource Unknown. Robinson Locke (Collector) Source A related resource from which the described resource is derived Billy Rose Theatre Division, The New York Public Library. "Broadway contrasts. George Beban and Holbrook Blinn." The New York Public Library Digital Collections. 1870 - 1920. http://digitalcollections.nypl.org/items/9908ddcb-18da-443e-e040-e00a180668a6 Publisher An entity responsible for making the resource available The New York Public Library Digital Collections Date A point or period of time associated with an event in the lifecycle of the resource December 14, 2015 Contributor An entity responsible for making contributions to the resource Taylor Caldwell Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1870 - 1920 1870s 1920s Broadway Gilded Age Men https://loyolanotredamelib.org/en203/files/original/0b737e1eb4e3c580d25700274a7d3b46.JPG 14bcd555ad3cb26a11b16aacf435e5d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standard Oil Subject The topic of the resource Gilded Age - John D. Rockefeller Description An account of the resource The Gilded Age, and the years leading up to it, introduced a new kind of wealth, one that was controlled by a select elite. These "Captains of Industry" were coined as Robber Barons by their critics and consisted of JP Morgan, Andrew Carnegie, Andrew Mellon, and John D. Rockefeller. Rockefeller is more relevant to this post, mainly because of the historical context of Martin Dressler. Rockefeller was a "Captain" of the oil industry, where he made his Standard Oil into a multi-million dollar enterprise, something Martin would strive for in his hotel business but could not even dream of attaining. Rockefeller would retire from Standard Oil towards the end of the 1890s due to his mental health deprecating. Nevertheless, Rockefeller would be responsible for controlling one of the most successful monopolies of all time and creating the University of Chicago where he donated millions to up until 1932. His impact, both in business, education, and even philanthropy, would set a new stage of capitalism where the distribution of wealth seems to reach a split in the road; the rich being richer and the poor being poorer. In fact, by 1900, it is said that one-tenth of the country owned nine-tenths of the wealth in the country, ultimately leading to the 1% that is coined today as holding an insurmountable amount of wealth. Each "Captain of Industry" would hold some responsibility in the reshaping of the United States economically, helping New York City to grow even further while also leaving their impact in the US through buildings and institutions like JPMorgan Chase Bank and Carnegie Hall. Source A related resource from which the described resource is derived "Ida Minerva Tarbell." Web for Ida Tarbell. N.p., n.d. Web. 13 Dec. 2015. Date A point or period of time associated with an event in the lifecycle of the resource Gilded Age Contributor An entity responsible for making contributions to the resource Jonathan Lim 1890s Gilded Age Martin Dressler Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Hyperlink A link, or reference, to another resource on the Internet. URL http://ebooks.library.cornell.edu/cgi/t/text/pageviewer-idx?c=atla;g=moagrp;xc=1;q1=gang;q2=new%20york;op2=and;op3=and;rgn=pages;view=image;cc=atla;seq=632;idno=atla0083-5;node=atla0083-5%3A6;page=root;size=100 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Battle with the Slum - Jacob Riis Description An account of the resource This article is written by the famous photographer and journalist Jacob Riis who fought to improve the conditions of the slums in New York City. He believes that the slums are not the result of the people who reside in them. The result is of some people "falling behind" and then for those who were born into such conditions it became hereditary. They became "victims not masters of the environment." Riis believes that some fault belongs to those who are not in the slums because of their inaction to fight the issue. Riis goes on to describe the "fight" against the slums beginning in 1879 and following it up to 1899. Creator An entity primarily responsible for making the resource Jacob Riis Source A related resource from which the described resource is derived Riis, Jacob A. "The Battle with the Slum." <i>Atlantic Monthly</i> May 1899: 626-34. <i>Making of America</i>. Web. 13 Dec. 2015. Publisher An entity responsible for making the resource available The Atlantic Monthly Contributor An entity responsible for making contributions to the resource Dalton Spatz Jacob Riis tenements Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robber Barons Description An account of the resource This image was really interesting to me in the way it portrays robber baron’s compared to their workers. The Gilded age was a time of extreme division in wealth and poverty. Workers were very unhappy about wages and conditions. In this image you can see only 4 men sitting on top of bags of money while many men hold the raft above water. Robber baron was a referring to a business man in the 19th century who engaged in unethical and monopolistic practices. Robber barons gained immense political influence and gained enormous wealth. While this was the lifestyle for them, their workers suffered barely making enough money to stay afloat. The image shows how clothing workers averaged $9 dollars a week, iron workers averaged $7 dollars a week, lumbar workers $6 a week. Since businesses had little regulation, by lai it was possible for a few amount of men to dominate industries. Men like Cornelius Vanderbilt. Cyrus Field, Jay Gould, Russell Stage are all portrayed by this image. Events such as the Homestead Strike and the Pullman Strike showed the publics resentment toward the wealthy. Creator An entity primarily responsible for making the resource Puck Magazine Source A related resource from which the described resource is derived The Protectors of Our Industries. 1883. Puck Magazine, New York City. Web. Publisher An entity responsible for making the resource available http://history1800s.about.com/od/1800sglossary/g/Robber-Baron-definition.htm Date A point or period of time associated with an event in the lifecycle of the resource December 13th, 2015 Contributor An entity responsible for making contributions to the resource Erin Donlon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Hyperlink A link, or reference, to another resource on the Internet. URL http://ebooks.library.cornell.edu/cgi/t/text/pageviewer-idx?c=atla;g=moagrp;xc=1;q1=gang;q2=new%20york;op2=and;op3=and;rgn=pages;view=image;cc=atla;seq=312;idno=atla0034-3;node=atla0034-3%3A9;page=root;size=100 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coney Island Description An account of the resource This article from C. D. Shanley published in The Atlantic Monthly recounts the details of Coney Island in 1878. The article refers to Coney Island as being one of the "least aristocratic features of the great suburb (Long Island)." At this time there were few places where the laboring class could go for a vacation as most recreational activities were reserved for the rich, either outright or by the shear cost of such activities. The article goes on to explain the name and environment of the location before launching into and account of a typical day there. The article being written for those who had money to purchase the publication ends by denouncing Coney Island for a "fashionable New York family." Creator An entity primarily responsible for making the resource C. D. Shanley Source A related resource from which the described resource is derived Shanley, C. D. "Coney Island." <i>Atlantic Monthly</i> Sept. 1878: 306-12. <i>Making of America</i>. Web. 13 Dec. 2015. Publisher An entity responsible for making the resource available The Atlantic Monthly Contributor An entity responsible for making contributions to the resource Dalton Spatz https://loyolanotredamelib.org/en203/files/original/8c44192720f5734272efb38bb15a2394.jpg 59b2cf47e71256be88d6e25b1a660428 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Finis Coronat Opus Subject The topic of the resource The Brooklyn Bridge Description An account of the resource On the day of the grand opening of the Brooklyn Bridge, The Daily Graphic released this edition of the magazine. In the picture, the bridge rises high into the sky. It is so large that the city behind it looks flat. On the bridge stand two women, who symbolize Brooklyn and Manhattan. They are shaking hands as they meet for the first time because the Brooklyn Bridge was the first solid foundation that connected the two islands. Above them reads the sign “Finis Coronat Opus.” This Latin terms means, “The end crowns the work,” or a work of art cannot be fully appreciated until it is complete. Again, the bridge is refereed to as a work of art. The bridge is also depicted in a heavenly manner, with the skies opening up and two angels on either side of the banner. Martin’s hotels in Martin Dressler are made with the inspiration of the Brooklyn Bridge. Martin intended for them to be out of this world the same way the Brooklyn Bridge. People would marvel at the hotels the same way they would marvel at the bridge. Creator An entity primarily responsible for making the resource The Daily Graphic Source A related resource from which the described resource is derived Irma and Paul Milstein Division of United States History, Local History and Genealogy, The New York Public Library. "A union of hearts and a union of hands." The New York Public Library Digital Collections. 1873 - 1889. http://digitalcollections.nypl.org/items/b0efaae4-86cd-d4b2-e040-e00a18064fa5 Publisher An entity responsible for making the resource available The Daily Graphic Date A point or period of time associated with an event in the lifecycle of the resource May 1883 Contributor An entity responsible for making contributions to the resource Jessa Laspesa 1890s Brooklyn Bridge Martin Dressler https://loyolanotredamelib.org/en203/files/original/3a81bb73f9f0e98ff9d34cf1a6655829.jpeg ff645108e5db652700c9a0c094e60e12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Grand Display of Fireworks and Illuminations Subject The topic of the resource The Brooklyn Bridge Description An account of the resource This picture located in digital collection of the New York Public Library depicts the Brooklyn Bridge on the day of it’s grand opening. The bridge officially opened in May 1883 with an elaborate opening ceremony. The ceremony was completed with a grand firework display along the shoreline. The image depicts a city and bridge illuminated by brightly colored fireworks. The red and orange colors of the fireworks highlight the bridge and river below. By surrounding the bridge in this way, the bridge is seen as something incredibly important. This is also evident in the writing under the picture, which says, “Great Suspension Bridge” and “Grand Display of Fireworks and Illuminations.” In Martin Dressler, the Brooklyn Bridge acts as a symbol for Martin. Martin and the bridge each made incredible innovations and progress in their field. Creator An entity primarily responsible for making the resource Currier & Ives Source A related resource from which the described resource is derived The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection, The New York Public Library. "The grand display of fireworks and illuminations at the opening of the great suspension bridge between New York and Brooklyn on the evening of May 24th, 1883. View from New York, looking towards Brooklyn." The New York Public Library Digital Collections. 1883. http://digitalcollections.nypl.org/items/510d47d9-7aa4-a3d9-e040-e00a18064a99 Publisher An entity responsible for making the resource available Currier & Ives Date A point or period of time associated with an event in the lifecycle of the resource May 1883 Contributor An entity responsible for making contributions to the resource Jessa Laspesa 1890s Brooklyn Bridge Martin Dressler https://loyolanotredamelib.org/en203/files/original/c85cbf5cbaf247e9d6c14e1487a2430c.jpg f549a99542d2ae96a892c9a6a458a602 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1850s Subject The topic of the resource Sources and resources pertaining to the 1850s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vertical Wall Street Description An account of the resource This graphic is composed of period panoramas from the 1850s to the 1930s that illustrate the vertical growth of buildings on Wall Street. It shows how the buildings on Wall Street from Broadway to Pearl Street have continued to grow taller and taller over the years. Creator An entity primarily responsible for making the resource C. Lowenstrom, J. R. Asher, The Avery Architectural & Fine Arts Library at Columbia University, The Office of Metropolitan History, and Fortune Source A related resource from which the described resource is derived Lowenstrom, C., and J. R. Asher. "The Rise of Wall Street." Skyscraper.org. The Skyscraper Museum, 02 Jan. 2011. Web. 11 Dec. 2015. <http://skyscraper.org/EXHIBITIONS/WALL_STREET/wall_street.htm>. Publisher An entity responsible for making the resource available http://skyscraper.org/EXHIBITIONS/WALL_STREET/wall_street.htm Date A point or period of time associated with an event in the lifecycle of the resource December 11, 2015 Contributor An entity responsible for making contributions to the resource Shannon Ferrara Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1850, 1879, 1905, 1929, 1930 architecture Martin Dressler Melville Wall Street https://loyolanotredamelib.org/en203/files/original/77eb10bd2ecbbfec7ce1605d1d2a3f16.gif 7511a32f01fae76536da94051911cbbc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brooklyn Bridge Description An account of the resource This poem was written by Charles G. D. Roberts and published in the June 1899 issue of The Atlantic Monthly. The poem is about the Brooklyn Bridge and it shows some of the same themes that we have seen in other works. The author is clearly enthralled with the bridge and relates its beauty to nature. If we look at lines three, seven, and eight in succession, "Nature accepts you for her own, And takes you, from the hand of man, For some new handiwork of God." we get the image that the bridge is so wonderfully constructed, so perfect that it appears that God himself had constructed it. The bridge had a special place in the hearts and minds of New Yorkers of this time and we can see this same awe for the bridge in Martin Dressler. Martin mentions the bridge numerous times throughout the story relating the bridge to power and majesty. At one point he asks a rhetorical question to himself in reference to Claire Moore's belief that shear size was humorous, "He himself found nothing humorous about sheer size, which on the contrary produced a sensation of power, of majesty - had anyone ever laughed at the Brooklyn Bridge?". Later in the story after seeing an advertisement made by Harwinton for his Grand Cosmo, Martin again asks himself a question "Was it possible that even Harwinton felt the power of the bridge?" The reason that the bridge represented power and majesty to Martin was that at the time it was one of the single greatest engineering achievements in history, and the fascination with science and technology at this time only added to the love for the bridge. Creator An entity primarily responsible for making the resource Charles G. D. Roberts Source A related resource from which the described resource is derived Roberts, Charles G. D. "Brooklyn Bridge." <i>Atlantic Monthly</i> June 1899: 839-40. <i>Making of America</i>. Web. 11 Dec. 2015. Publisher An entity responsible for making the resource available The Atlantic Monthly Contributor An entity responsible for making contributions to the resource Dalton Spatz Brooklyn Bridge Martin Dressler https://loyolanotredamelib.org/en203/files/original/99aeadb8c67b1fcd98136e4a04272d57.png cac22242689a9f5771021a794d0f2759 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource House of Prostitution Description An account of the resource Census workers did an in-depth survey on American households and published their findings. In the column on “profession, occupation or trade”, certain houses of prostitution. The specific households of the prostitutes were published and were 114 West 26th St. and 116 West 26th St. It seems interesting to me that these residents would be published to the public. It is a violation of their privacy but these addresses were probably disclosed so that people in NYC would not go near these locations. Creator An entity primarily responsible for making the resource Census Workers (not specified) Source A related resource from which the described resource is derived Cowan, Alison. "House of Prostitution." A Guide to Houses No Gentleman Would Dare to Frequent. 26 Jan. 2011. Web. 12 Dec. 2015. Publisher An entity responsible for making the resource available New York Times http://cityroom.blogs.nytimes.com/2011/01/26/on-the-records-a-well-preserved-roadmap-to-perdition/ Contributor An entity responsible for making contributions to the resource Antonella Rozas Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1870's Maggie prositution https://loyolanotredamelib.org/en203/files/original/63aec8d578d3135ebece453012f92fda.png e8af3ccb7651ea8c5bc95877e452c12a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prostitution Densities in Manhattan Description An account of the resource The map specifically shows the areas of Manhattan during the 1870-1879 that had the most houses of prostitution. It is interesting that during this time there were such detailed records of blocks in where the most prostitutes were. This map was found in the article “Is Selling Sex Good Business? Prostitution in Nineteenth Century New York City”. It caught my attention because there is no area that is mostly population with houses. Rather, the houses of prostitution are located all over Manhattan and very spread out. Creator An entity primarily responsible for making the resource Timothy Gilfoyle Source A related resource from which the described resource is derived Gilfoyle, Timothy J. City of Eros: New York City, prostitution, and the commercialization of sex, 1790-1920. WW Norton & Company, 1994. Publisher An entity responsible for making the resource available Digital Commons http://digitalcommons.iwu.edu/cgi/viewcontent.cgi?article=1027&context=uer Contributor An entity responsible for making contributions to the resource Antonella Rozas Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1870-1879 1870s Maggie prostitution Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Hyperlink A link, or reference, to another resource on the Internet. URL http://linksource.ebsco.com/FullText.aspx?linkout=http%3a%2f%2fgateway.proquest.com%2fopenurl%3furl_ver%3dZ39.88-2004%26res_dat%3dxri%3apqm%26rft_val_fmt%3dinfo%3aofi%2ffmt%3akev%3amtx%3aarticle%26genre%3darticle%26issn%3d00368733%26atitle%3dThe%2520Astoria%2520Hotel%2c%2520New%2520York%2520City%26title%3dScientific%2520American%26volume%3d77%26issue%3d18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Construction Of The Astoria Hotel, New York City. Description An account of the resource This article in the Scientific American periodical written in 1897 gives a lot of details about the architectural layout of the Waldorf and also explains what George Boldt, the manager of the Waldorf Astoria, was envisioning while building it. He integrated old world décor from the European renaissances, but also the newest technologies such as telephones and electric lights. Boldt made the Waldorf the ultimate luxury hotel where residents would have everything available at their convenience. He incorporated theatres, ballrooms, restaurants, roof gardens and spas creating an extravagant, but profitable establishment. This source is very insightful in providing George Boldt’s perspective in designing the Waldorf Astoria. Martin’s ideas and hotels were so similar to Boldt’s description that it is obvious that Millhauser used Boldt as an inspiration for Martin Dressler’s character. Creator An entity primarily responsible for making the resource Scientific American 77 Source A related resource from which the described resource is derived "Construction Of The Astoria Hotel, New York City." Scientific American 77.(1897): 281. Readers' Guide Retrospective: 1890-1982 (H.W. Wilson). Web. 10 Dec. 2015. Publisher An entity responsible for making the resource available Readers Guide Retrospective Date A point or period of time associated with an event in the lifecycle of the resource 12/11/15 Contributor An entity responsible for making contributions to the resource Theresa Patti Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1897 architecture class Martin Dressler https://loyolanotredamelib.org/en203/files/original/0b5507bf73e722ff7639b31c67cbe8d3.png 48217fe7d628b429b35e1349956c26c2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Cloud Hotel, New York. Westminster Hotel, New York. Cosmopolitan Hotel, New York. Hotel Brunswick, New York Description An account of the resource This primary source is from Asher and Adams Atlas set and gives an overview of four of the newest and most luxurious hotels in New York City in 1875 and demonstrates how progression of the period was clearly represented in hotels. For example, the St. Cloud Hotel provides the latest technology with an elevator, steam heat, hot and cold water but also attractive amenities such as a barber shop and Billard room. The Cosmopolitan Hotel contained a telegraph office, railroad ticket office, barber shop and news office to provide ultimate convenience for customers. The primary locations of all of these hotels also served as an attractive selling point. For example, the Westminster Hotel was in walking distance to Gramercy Park, Broadway and the Academy of Music. This source provides a perspective of what was considered new and attractive to travelers in this time period. Travelers were looking to have as many amenities at their fingertips as they could, and they wanted to be surrounded by all of the comforts necessary to feel like they could escape from the city within their hotel. This is a common theme in Martin Dressler’s character as he is an expert of combining the new and the old, the exotic and familiar. Creator An entity primarily responsible for making the resource Asher & Adams Atlas Source A related resource from which the described resource is derived Asher & Adams. "St. Cloud Hotel, New York. Westminster Hotel, New York. Cosmopolitan Hotel, New York. Hotel Brunswick, New York. (1875)." (1875): LUNA Commons. Web. 14 Nov. 2015. Publisher An entity responsible for making the resource available LUNA Commons http://www.davidrumsey.com/luna/servlet/detail/RUMSEY~8~1~35837~1201323 Date A point or period of time associated with an event in the lifecycle of the resource 12/11/15 Contributor An entity responsible for making contributions to the resource Theresa Patti Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1875 architecture buildings hotels Martin Dressler https://loyolanotredamelib.org/en203/files/original/2109c7808ca6e5fe25d17e2271131e67.pdf 5fa7f76e21683c187128605a275100e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1890s Subject The topic of the resource Sources and resources pertaining to the 1890s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Are Friends Clear of Materialism?" Subject The topic of the resource Materialism and the Gilded Age Description An account of the resource Mary A. Nichols provides her account on what is changing in the Gilded Age through the Friend's Intelligencer. She points out that the religious values people hold during the 1890s are weakening due to the increased materialism of churches and religion in general, but comes back to the fact that this need for people to display their religious values with material objects will be better for religion in the long run. She talks about how religious worship is more complicated during her time, with the material and ornate objects surrounding the church, but feels that people need these things to actually feel a connection with Christ. The article provides a unique insight into the GIlded Age and offers a different perspective from what we examined in class. Creator An entity primarily responsible for making the resource Mary A. Nichols Source A related resource from which the described resource is derived Nichols, Mary A. "Are Friends Clear of Materialism?" Friends' Intelligencer (1853-1910) Sep 24 1898: 680. ProQuest.Web. 30 Nov. 2015. Publisher An entity responsible for making the resource available Friends' Intelligencer Date A point or period of time associated with an event in the lifecycle of the resource Sep 24, 1898 Contributor An entity responsible for making contributions to the resource Jonathan Lim 1890s Martin Dressler https://loyolanotredamelib.org/en203/files/original/5e349911faf836c311aa94db258e7005.jpg cec87e516f343601f1780e3882edd569 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1850s Subject The topic of the resource Sources and resources pertaining to the 1850s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York City as Seen from Williamsburg Description An account of the resource This image is a valuable tool in terms of understanding the history of New York City. Taken in 1848, the image highlights a busy New York City. The boat traffic in the river helps to build an understanding of how goods, services and people made it to the island. Much of the buildings in the image are small, and not very high. This helps to show that the building technology had not yet allowed buildings to grow taller. The largest buildings in the image seem to be warehouses near the river, but as we know these smaller buildings would not last for long. Source A related resource from which the described resource is derived Brown, Eliphalet M., and Edgar W. New York City as Seen from Williamsburg. Digital image. Https://commons.wikimedia.org/wiki/File:NYC_1848.jpg. N.p., 1 May 2005. Web. 9 Dec. 2015. Date A point or period of time associated with an event in the lifecycle of the resource 1848 Contributor An entity responsible for making contributions to the resource Scott Nye 1850s Immigration industrial rivers Whitman, Walt Hyperlink A link, or reference, to another resource on the Internet. URL http://search.proquest.com/americanperiodicals/docview/124717854/pageviewPDF/A87983FA6CA64CFFPQ/5?accountid=12164 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1900 Paris World's fair Description An account of the resource An article from the cosmopolitan from 1900 on the world's fair in Paris. The world's fairs take place at non-regular intervals, but when they do take place they showcase all of the latest technologies and serve to show the progress since the previous fair. This article shows the optimism of people moving into the twentieth century. Creator An entity primarily responsible for making the resource Charles A. Towne Source A related resource from which the described resource is derived Towne, Charles A. "PLANS FOR THE PARIS WORLD'S FAIR." Cosmopolitan Dec. 1899: 149. American Periodicals Series Online [ProQuest]. Web. 5 Dec. 2015. Contributor An entity responsible for making contributions to the resource Dalton Spatz