2 20 25 https://loyolanotredamelib.org/en203/files/original/acf86f35cc73c17b3693cab6978474a0.jpg 99d8bffea3d711621bd9086dc72a620a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harlem Nightlife Map Description An account of the resource This map depicts the social nightlife of Harlem in the early 1930’s. It was drawn by E. Simms Campbell who was an African American artists in the 1900’s, who frequently had his work publish in African American magazines. The map shows specific night clubs through the main section of Harlem where people went for performances. It includes depictions of well-known clubs such as the Cotton Club and the Radium club on Lenox Avenue. What stuck out in my opinion is how well this corresponds with what we have been reading about the Harlem Renaissance in articles such as “When the Negro Was in Vogue.” The African Americans and the white people don’t seem to be integrating in this map, which is due to the strict Jim Crow Laws of must Harlem night clubs. Most of the artwork on the map shows a general separation between races. Either African Americans were performing and white people attended or vice versa. At the top of the map we a depiction of the Lafayette Theatre. It shows many different African American artist such as the famous Bill “Bojangles” Robinson. The description for the Lafayette Theatre is ‘Friday nite is the midnight show – Most negro Revues begin an end here.” This tells us that this is the place to see the big African American performers. The map also shows that white people are getting out of the cars to get in to see the show. It also depicts the cars crashing all over the street, which to me represents the madness and craze that people had to see the great African American performers during the Harlem Renaissance. Overall this map to me shows that the separation between African American and white people shown in “When the Negro Was in Vogue” was still strong even as the Harlem Renaissance progressed into the early 1930’s. Creator An entity primarily responsible for making the resource Frank Jacobs Source A related resource from which the described resource is derived Jacobs, Frank. "476 - "Go Late!": A Night-Club Map of Harlem | Big Think." Big Think. N.p., 16 Aug. 2010. Web. 28 Nov. 2015. Contributor An entity responsible for making contributions to the resource Edward Regler https://loyolanotredamelib.org/en203/files/original/37c1eb82cb8064f5f6d2056cb5b0a22b.jpg ce60d0237e811e543f51fbb86d8d36ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Live Jazz Description An account of the resource Jazz was a major part of the culture of 1920s. The newly available technology such as radio and phonographs allowed this type of music to be easily accessed by all groups. For one of the first times in history, it was easy for the general public to gain access to music without seeing it live in person. That being said, there was also a surge of live music venues including dance halls and speakeasies. This widespread access to music helped jazz and other music styles of the day gain popularity with a large group of people. Source A related resource from which the described resource is derived "1920s." Dr. Hartnell's Nutty the A.D.D. Squirrel. N.p., n.d. Web. 22 Nov. 2015 Contributor An entity responsible for making contributions to the resource Scott Nye Harlem Renaissance jazz nightclubs https://loyolanotredamelib.org/en203/files/original/eeceabe5393025f1957d1e47d2e79117.jpg d24bc5ebe0dd3605122b49fa304a538a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox Avenue: A Symbol of Hope Description An account of the resource “We have to-morrow Bright before us Like a flame” (663, Hughes) This quote from one of Langston Hughes’ many poems expresses the hope that African Americans have during the time of the Harlem Renaissance. Hughes refers to this bright future as a “flame” because it symbolizes a new life or the ability to stray away from old traditions and create a new identity. This specific image is an exact replica of the flame that Hughes is referring to because it is a photo of Lenox Avenue in Harlem, which was known to be one of the most booming streets during the Harlem Renaissance. In other words, this photo of Lenox Avenue depicts a sense of hope and promise in that the African people will continue to shape the United States in a positive way. Creator An entity primarily responsible for making the resource Cary D. Wintz Source A related resource from which the described resource is derived Wintz, Cary D. "Articles." The Harlem Renaissance: What Was It, and Why Does It Matter? Humanities Texas, Feb. 2015. Web. 19 Nov. 2015. <http://www.humanitiestexas.org/news/articles/harlem-renaissance-what-was-it-and-why-does-it-matter>. Publisher An entity responsible for making the resource available Humanities Texas Date A point or period of time associated with an event in the lifecycle of the resource November 19, 2015 Contributor An entity responsible for making contributions to the resource Adam Monticollo Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1920s Harlem Renaissance Hughes Lenox Avenue Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Scene from Harlem in the 1920s Description An account of the resource The exact location of this street scene in Harlem is unknown, however, it captures the energy, commerce and fashion in Harlem during the 1920s. As James Weldon Johnson described in The Making of Harlem, Harlem was a "self supporting community". Economically many Harlem residents worked and saved their money and this picture shows the independent businesses that were thriving during this period due to their ambition. This scene looks like it fits right in with the rest of New York City. Women and men are wearing western clothing. Women followed the trends of cloche hats, fur trim and long coats, and men wore suits and flat caps or fedoras. The atmosphere was bustling and upbeat, and residents looked determined to succeed and improve the community that offered them so much opportunity. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived A Scene from Harlem in the 1920s. 1920s. Harlem. Jazz Age Manhattan and the Making of Modern America. Web. 18 Nov. 2015. <http://www.wnyc.org/story/jazz-age-manhattan-and-making-modern-america/>. Publisher An entity responsible for making the resource available WNYC Date A point or period of time associated with an event in the lifecycle of the resource November 18th 2015 Contributor An entity responsible for making contributions to the resource Theresa Patti Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1920s class fashion Harlem Renaissance https://loyolanotredamelib.org/en203/files/original/7f295e69a9b8bfebc6dc18451c9bf2f3.jpg 9cf891b5aeed75e3fad098724e8126b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Hyperlink A link, or reference, to another resource on the Internet. URL http://www.dailyartfixx.com/2014/10/10/alberto-giacometti-1901-1966/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alberto Giacometti-- inspired by African Art? Description An account of the resource Apparently a photograph from Life Magazine, showing Alberto Giacometti with a number of his sculptures. In form, they distinctly resemble the African art Alain Locke included in his article, "The Art of Our Ancestors," in the issue of Survey Graphic he guest-edited, titled Harlem: Mecca of the New Negro. Source A related resource from which the described resource is derived Campbell, Wendy. "Alberto Giacometti: 1901-1966." Artfixx.com. Web. 17 Nov. 2015. https://encrypted-tbn1.gstatic.com/images?q=tbn:ANd9GcThySQugUCsTZbIKfte3jNO-iZmcrdjXCzDMGSRXZ6pRS2k8y3Q Contributor An entity responsible for making contributions to the resource Jean Lee Cole african art giacometti Locke, Alain modernism